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Madhura Manohara Moham: A Regressive Take on Family Dramas

 

From unmasking casteism disguised as humor to misogynistic undertones a very disappointing movie with failed attempts at Humor and weak script. Are we still in the 90s??


Family dramas have been a recurring genre in Indian film since its inception, and they frequently uphold patriarchal norms and casteism. Even while there has been improvement in recent years, there are still films that reinforce negative notions. One such film is Madhura Manohara Moham, a Malayalam "romantic family drama" that disappointingly regresses into the problematic patterns of the past. 



At first glance, Madhura Manohara Moham appears to mock casteism through humor. However, this facade quickly fades away as the film fails to challenge or condemn the underlying casteist beliefs portrayed by its characters. The story progresses, showcasing characters' blatant casteism and bigotry without any attempt to satirize or critique these harmful ideologies. This omission allows the film to join the ranks of those that glorify upper-caste pride and perpetuate unabashed casteism.


The film also exhibits strong misogynistic undertones throughout its narrative. Male characters are portrayed as innocent or naive, cementing a foundation for the film's misogyny. Meanwhile, female characters like Usha and the fish seller are consistently depicted as gossipers, reinforcing the stereotype of their non-naive and casteist attitudes. Meera's character, while briefly acknowledging double standards, eventually succumbs to a judgmental lens, perpetuating the age-old stereotype that labels women as "theppukari." This stark contrast between the treatment of male and female characters further deepens the film's regressive stance.


Despite its intention to generate laughter, Madhura Manohara Moham's attempts at humor fall flat due to their contrived nature. The script, penned by Mahesh Gopal and Jai Vishnu, proves to be weak and offers no respite to the viewers. The lack of clever comedic writing further compounds the film's flaws, leaving the audience disillusioned.


Madhura Manohara Moham is a disappointing film that fails to contribute to the societal progress made in recent years. Instead of challenging regressive narratives and promoting equality, it reinforces patriarchal values and perpetuates casteism. This movie serves as a reminder of the struggles we have faced and fought against, taking us back to square one. As viewers, it is essential to voice our opinions and actively criticize such films to ensure the growth and inclusivity of Indian cinema.

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